BurlyCon 2019: Friday

Dear Constant Reader,

Friday was bookended by teaching. I skipped the first class session to try to sleep in (a lost cause) and work out in my room. A long stretching session was required after being scrunched up the plane the day before.

Caring for your Costumes (Mina Murray)
This is probably my most requested class. It’s 90 minutes of me expounding with advice, tips, and tricks. You know, the stuff I do here every Friday, only more so. It was in this class, many a BurlyCon ago, that I was dubbed “The Martha Stewart of Burlesque”. I was gratified that the class was so large and so enthusiastic. I should remember not to go over the stain handout, but just pass it out, so there’s more time for questions.

Teaching Burlesque: for Seasoned Burlesque Performers (Indigo Blue)
Although the class was packed with teachers, Indigo asked anyone with 4 years or less experience take a step back from participating. We did some role play for dealing with difficult students and discussed best practices in the classroom (very valuable!). We broke up into groups to discuss the two most popular issues — curriculum and marketing. I was in the curriculum group (facilitated by the unflappable Legs Malone) and realized my definitions of beginning, intermediate, and advanced classes are quite different from many of the other teachers. I’m still mulling over my take-away from this class.

Adding Magic Effects to Your Performance (Professor DR Schreiber)
My plan was to go to The Art of Sex and Seduction with Egypt Blaque Knyle, but the room was already jam-packed, with more people pouring in. No great shock given the subject and the instructor, but I was feeling rather claustrophobic and bowed out.

I ducked into the class on magic, another favorite subject of mine, and since I have an act that uses slight of hand, I can always use some pointers. Of course I can’t tell you anything about the class, because, you know, secrets are the foundation of magic.

Achieving Closure (Mina Murray)
My second time teaching. This class was much smaller, but still enthusiastic. It was opposite Jo Weldon’s Hairography class and I don’t blame people for wanting to go there instead — I would have as well if I wasn’t teaching. I had a few thoughts on how to improve my little busy book of closures for next time.

Then I met up with Scandal from Bohemia and Scarlett Letter for a “literary names of burlesque” photo. I do wish we could have tracked down Agatha Tristy to join us.

Jewlesquers Celebrate Shabbat (a meet-up)
I don’t really consider myself a Jewlesquer — I don’t have a Hanukkah act or anything like that — but it was nice to meet some new people and talk about some things only other members of the tribe really understand. I came in late and missed the candle lighting, but I was in time for blessing and sharing the challah.

Needing a little downtime, I had take-out and tea in my room and once again missed the class photo. This is pretty much an annual tradition by now.

Although I really just wanted to go to bed, I threw on a leopard print dress, didn’t do my hair or makeup and went to the dance. It’s really easy for me to just want to hole up in my hotel room with a book, but BurlyCon is such a great opportunity to see and meet people and I promised Scratch I would do so. Despite feeling shy and tired, I set out. Before attending the dance proper, I visited Melissa Flynn’s amazing vintage pop-up shop. There were many beautiful items I resisted buying, but it was hard.

I also grabbed my copy of Fierce and hoped I’d run into Jo Weldon. I did and she (wearing a fabulous leopard-rhinestoned corset) signed it.

More to come…

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Published in: on 26 November 2019 at 11:52 am  Leave a Comment  
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