Far From Our Clothes 4/15/18

Dear Constant Reader,

In continuing with our penchant for performing at creators of alcohol in Salem, we had our first show at Far From the Tree Cider. As with our shows at Deacon Giles, Brigitte Bisoux made the connection for us. In this case, because she’s a brand ambassador for the cider, so it seemed like an especially great fit.

We did two shows, as is our wont for small venues. The first audience was good, but the second one was fantastic! They were super enthusiastic and a joy to perform for. It was also the birthday of one of our long-time supporters, so we got the audience to join us in a non-direly rendition of “Happy Birthday”. Far From the Tree is very welcoming to dogs and babies. I don’t remember if there were any for the former there for the show, but there was a two-month old who (we’re told) enjoyed the show.

Because of our location, we threw in a couple of apple-themed acts. Brigitte did her infamous “Still Life” performance with a bowl full of apples instead of mixed fruit. Scratch mystified (and perhaps horrified) the audience with “Urban Legend”, involving an apple stuck wth double-edged razor blades. Artemisia sang the PMJ arrangement of “Criminal” because it’s by Fiona Apple (we amuse ourselves). And Betty closed out the show with “Don’t Sit Under the Apple Tree”, backed up by apprentices Ayo and Stephanie in their first show!

It was a bit logistically challenging to make a dressing room for ourselves. We were given the accessible restroom and the space in front of it. The challenge was that there were two doorways open to the tap room. We brought drape, but all the pipe is currently in The Expo trailer. Some very creative engineering was done with conduit, painter’s tape and even some ribbon to curtain off our space. It was cozy quarters, but we made it work. I made a backstage video for my Patrons.

We tried an experiment with this show. In New Orleans at the Legs and Eggs brunch, there were tip envelopes on every table printed with “tips” for enjoying the show. That seemed like a good, low-pressure way for the audience to tip if so chose. We included a piece of paper in the envelope so people could leave a note if they liked, and some of the results are in the photo.

The staff at Far From the Tree was terrific and we’re grateful to them for having us. We hope to do it again! We’ll be back in Salem next month at Deacon Giles with The Boston BeauTease Go Bananaz! (I still can’t believe I’m writing that). But our next show is this Saturday at The Castle on Charles in Rochester, NH.

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 19 April 2018 at 4:11 pm  Leave a Comment  

The Boston BeauTease Do It Again 2/2/18

Dear Constant Reader,

This past Friday we were performing at Deacon Giles Speakeasy Lab in Salem. It’s a small space, so we do two shows, an early and a late. As usual for us, there aren’t any performance photos or video, alas.

Since it was Groundhog Day, Scratch had a fun idea for the show. Every act ended with a snippet of “I Got You Babe” and then Scratch went into his introduction. The same introduction every time. Perhaps a bit more frantic or frustrated or bored, as the evening went on. That was the obvious reference. I’ll see if you can figure out the more subtle one.

  • Betty Blaize: “Harlem Nocturne” (Les Brown)
  • Artemisia Vulgaris: “Love Potion No. 9” (Artemisia singing)
  • Mina Murray: “Die Moritat von Mackie Messer” (Ute Lemper)
  • Brigitte Bisoux: “Night Train” (Harry Zimmerman)
  • Devastasia: “Tombstone Blues” (Johnny Staccato)
  • Scratch: Magic
  • Mina Murray: “Harlem Nocturne” (Sam Taylor and His All-Stars)
  • Devastasia: “Love Potion No. 9” (Herb Alpert and His Tijuana Brass)
  • Artemisia Vulgaris: “Mack the Knife” (Bobby Darren)
  • Betty Blaize: “Night Train” (Alvino Rey)
  • Brigitte Bisoux: “Tombstone Blues” (Ronnie Magri and His New Orleans Jazz Band)
  • Did you get it? Do you see what we did there? Each half of the show was the exact same set of songs, only different arrangements and very different styles of acts. We’re so clever.

    We’re also so clever in that the plan was that everyone would use one existing act and create one new one. It turned out that I used two existing numbers, because Artemisia was so in love with “Mack the Knife” (I use the German version), while she created one new act and learned a song.

    We had some fun and excitement backstage. Just before the doors opened, Brigitte was getting out her pasties for “Tombstone Blues” and being a little smug that she only had to put on one pair for the whole evening, since “Night Train” was a tap dance with no stripping. Then one of the tassels just exploded into it’s component strands. Yikes! What to do?

    First we realized that Betty had a pair of tasseled pasties that would match Brigitte’s outfit, but she was wearing them for one of her numbers. However, since Betty was wearing them for the first act and Brigitte would need them to close the show, there would be plenty of time for a hand-off. Then Betty asked if I had black thread in my emergency kit (yes) and said she had repaired tassels before. Before the second show, that tassel was good as new and ready to be twirled!

    In Betty’s version of “Night Train”, she’s a computer geek who gets super excited about technology. At the climax, she rips off her t-shirt. She forgot to pack a second shirt for the later show, but Deacon Giles provided her (and the rest of us) with shirts.

    Guilted Lily, our favorite stage kitten, came all the way from RI to help out and insisted on wearing the torn shirt *and* having Betty sign it and then her boobs. You can see it happen right here:

    And here’s a bonus picture of Lily wearing Scratch’s hat & jacket. I think it’s no contest — she wore it better!

    After the show we hung out and had marvelous cocktails with the staff. Mine was a simple mulled cider with spiced rum.

    We’ll probably be back in a couple of months. If you want to see us sooner than that, we’ll be at the Mardi Gras Ball on Saturday with a brand-new group number and I’ll be reprising my fan dance from this show.

    M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

    Published in: on 7 February 2018 at 3:52 pm  Leave a Comment  


    Dear Constant Reader,

    It had been years since we presented a winter holiday show and we weren’t really planning on doing so. We were hired for a New Year’s Eve show at The Strand Ballroom and that was enough. And yet, somehow, we found ourselves booked at Deacon Giles (hint: it was Brigitte’s doing) and as long as we were doing that show, why not put it on at The Thalia as well.

    All three shows (we do two at Deacon Giles) sold out completely and people were pleading for tickets. That was really nice, since, to be completely honest, Dear Reader, our shows did not do so well earlier the year.

    Since timing is tight and the stage is small at Deacon Giles, the show is pretty streamlined. Since we had more space and a more flexible schedule, The Thalia show had a larger cast and a couple more acts.

    It went a little something like this:

    Betty Blaize: Betty, It’s Cold Outside
    A classic. One of Betty’s signature numbers, with her puppet-partner, Dino Martini.

    Mina Murray: Three for the Show
    This is a brand-new number than I debuted on Friday. I wanted something winter-inspired, rather than something so strongly themed that I could only do it at the holidays. An ice-blue gown and white fur wrap did the trick. It’s very classic in style and a bit raunchier than my usual.

    Brigitte Bisoux: The Nutrocker
    Brigitte is a talented tap dancer and she loves the stages at both venues because they show off the sound really well. With her sparkling costume and feathered headdress, you’d never know she was too short for The Rockettes.

    Devora Darling: Snowfall
    D.D. dances en pointe in this beautiful striptease. She also throws around some tissue paper snow, which is beautiful. It’s also gets everywhere. EVERYWHERE. Someday I should tell you about the first time we used fake snow. Please enjoy this photo of Devora and Devastasia, who also used some of the snow in her act, cleaning up after the show.

    Devastasia: Warm in December
    Also a new number for Devastasia. She has professed a strong dislike of Christmas, so it was winter-themed for her. She made a lovely blue and silver dress which was over a flame panel skirt and bra.

    Scratch: Magic
    I think it was a card trick, but I’m not sure of the details. At Deacon Giles it’s very hard to hear what’s happening on stage from the backstage area (the actual distillery and warehouse).

    Betty Blaize: Blue Christmas
    Betty is a disillusioned Mrs. Claus, who once she’s alone, prefers to celebrate Hanukkah.

    Brigitte Bisoux: Perfect Christmas
    Brigitte starts out nice, dancing to “Perfect Christmas Night”, a sweet jazzy tune, and then gets naughty to a version of “You’re a Mean One, Mr. Grinch”. You’ll look at Christmas decorations in a new way…

    Devora Darling: Christmas Elf
    This is a super-adorable dance with Devora as a cute little elf handing out candy canes. And when she runs out of candy, she has clothing to give out.

    Mina Murray: Sugar Rum Cherry
    This my holiday fan dance and one of my favorites. At Deacon Giles I performed it solo, but at The Thalia I had Ingride and Gin-ni to open it with a graceful dance with snow-white fans to the traditional Dance of the Sugar Plum Fairy music.

    At The Thalia we also had Devastasia, Gin-ni, and Ingride performing “Booty Swing” with oversized peppermint sticks and Gin-ni sang.

    All the shows went well and we had great time, for the most part. And there were delicious cocktails at both venues. The early show at Deacon Giles had one rude audience member sitting right up front who was talking with his seat mate through most of the show. It kind of brought the audience’s energy down. However, the second show was just fantastic. The audience was terrific and I think our performances were excellent.

    As is my custom, I made a backstage video only for my Patrons. You however can get a brief taste of the show in these video clips Scratch took during the show.

    Next up we’ll be at The Strand Ballroom on New Year’s Eve and then The Great Burlesque Expo!

    M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

    Published in: on 19 December 2017 at 4:23 pm  Leave a Comment  
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    RuffleCon 11/11

    Dear Constant Reader,

    For third year we were hired to perform at RuffleCon, an alternative fashion event in Stamford, CT. It’s always such a good time, but I think this year was the best. In the past the convention has been in October, so we were crazed with Wrathskellar preparations. They’ve moved the dates into November, which was saner for us, but it meant I missed BurlyCon for the first time in about 5 years. We were also moved to Saturday night rather than Friday, which gave us a bigger audience.

    Everyone headed down pretty early to enjoy the convention offerings. In the late afternoon I taught my corsetry class. Sadly, I was opposite one of the many fashion shows, but most of the ladies I was traveling with came to class, eager to learn about corsets.

    Before the show, we had a lovely, relaxed dinner at a near-by Mexican restaurant. Scratch has an excellent restaurant sense and once again picked out a terrific place. After a stop at a liquor store to gather post-show wine, we returned to the hotel to get ready.

    The show was a lot of fun and the audience was amazing. They were yelling, screaming, and cheering so loudly. We had a few technical issues, to be honest. There were constant problems with the music (songs starting early or late or just wrong or once two songs playing simultaneously), but they were resolved quickly every time. And we had to reconfigure most of our acts to the runway stage, which was really set up for fashion shows (narrow stage with a long runway), but we made it work.

    I’m not going to do a blow by blow of the show because I couldn’t see anything from backstage. Here are a few notes.

    Nicole and I opened the show with “Mistress & Maid”. When I snuck onto stage, an audience member yelled “someone’s going to get a spanking!” How did they know?

    No surprise, but they loved Artemisia, especially her singing voice. They went absolutely berserk when she hit those long high notes in “Creep”.

    Our special guest Mister Twister from Chicago was extremely popular with the ladies.

    Betty did a striking striptease with her new LED Wings of Isis to great acclaim.

    My costume for “Moon Over Bourbon Street” was further decorated and I made a new pair of strappy undies just for this show (with lots of patient help from Scratch — I can’t pin elastic over my butt by myself.) At one point I was covering myself with the fans and someone yelled “Stop teasing me!”

    We closed out with “Booty Swing” which had brand-new sparkly jackets and light-up staves with LEDs and fiber optics! We try to go all out on the costumes and props for these folks.

    After the show, we all went back to our hotel room for wine and snacks and decompressing. I made a post-show video for my Patrons, as it was too dark and too noisy backstage. Scratch asked someone an important question, which will be the topic of another missive.

    I admit that I was sinking lower and lower into bed as the merriment went on, but everyone else was still energetic and went to the dance party. I heard that Betty absolutely broke the dance floor with her all-out Old School Goth moves and she had a devoted ring of admirers dancing around her.

    The next morning we had a fabulous brunch and then most of us went shopping and spent a lot of time thanking audience members who telling us how much they enjoyed the show. Several of the ladies hit the consignment shop and found all sorts of treasures including Devastasia’s first corset. Scratch taught a class on Victorian Parlor Magic which was remarkably well attended for so early in the morning. Perhaps because he plugged it at the show and promised to reveal the secrets of how he pulled so many items from thin air. And then we hit the road to be back in MA in time for rehearsal!

    M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

    Published in: on 22 November 2017 at 1:00 pm  Leave a Comment  
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    Bad Luck Burlesque 11/4

    Dear Constant Reader,

    We brought Bad Luck Burlesque, a mix of the previous show of that name and some acts from Panties Inferno to The Strand Ballroom in Dover, NH. This was the troupe’s second appearance there, but my first, since I was in New Mexico.

    The Strand is a vintage theatre that had been turned into a movie house, but now also hosts live entertainment and dancing. The first several rows of seats had been removed and a dance floor laid out. Although there is a low proscenium stage, we were performing on the dance floor, so as not to be miles from the audience.

    If you are one of my Patrons, you can see a video I made from our dressing room in all my pre-show not-so-glamourous glory. I don’t remember the order of the acts, but here are a few snippets. Photos are by audience member Beth Wittenberg.

    Our special guest was local blues singer Mike Breman. He accompanied Betty during her injury striptease to “That’s Life” and sang two other songs.

    Betty reprised her injured striptease, as mentioned above. She also danced with the Devil in her signature piece, as seen in the photo. Betty is also expert with Wings of Isis. Sometimes she does a striptease, sometimes it’s a straight-up dance number, as it was this time. She included a special surprise for this performance — halfway through the dance, her wings lit up! I wish I had a good picture of the multicolored LED wings in action.

    Devastasia’s disturbing bird tormented poor Nicole. She was also an adorable witch in the act she created for our Salem show.

    Scratch mystified and horrified the audience with two dangerous pieces: “The Spike”, which involves attempting not to drive a three-inch steel spike through his hand and “Urban Legend” which involves an apple studded with double-edged razor blades and his mouth. There has never been an incident, but I still can’t watch them.

    Once again Nicole played my naughty maid and I got to spank her in “Mistress & Maid”. Poor Nicole — first a bird, than a sadistic employer. I also presented my fan dance to “Moon Over Bourbon Street”. From where I was, the lighting for that was fabulous.

    For the finale Nicole, Devastasia and I danced to “Booty Swing”, an act that involves picking up and setting down tall staves. That’s when we discovered the the floor was sloped toward the audience… Exciting. I recall Nicole daintily setting down her foot on an errant staff as it began rolling down into the audience.

    After the show the good folks at the theatre took up on a tour of the place and insisted we take several large bags of delicious fresh popcorn. We’ll be back for New Year’s Tease on December 31st!

    M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

    Published in: on 21 November 2017 at 3:25 am  Leave a Comment  

    Panties Inferno 10/28

    Dear Constant Reader,

    Most years for Halloween, we present our haunting cabaret, The Wrathskellar. This year, for various reasons, that just wasn’t going to happen. Scratch decided to present Panties Inferno, a cheery jaunt through Hell. Rather than a revue, the show had a plot and a script. Artemisia played the Dante-like character, while Scratch was not exactly her Virgil.

    It was a nice change of pace to do a one-night show instead of a run that’s weeks long and also to do a show that was mostly comedic instead of angsty. From the audiences’ comments afterwards, it sounded like we achieved our goal: fun, funny, and entertaining.

    And the show completely sold out.

    I don’t think I can do the entire show justice, but I’ll do my best. It’s probably going to get long… I wish I had photos to merrily intersperse amongst the text, but we’re terrible about that. If you are or know a photographer or videographer who’d like to shoot a show, drop me a line!

    Artemisia began the show, lost in the woods, where she encountered 3 ladies in gauzy draperies, dancing in the woods.

    Devastasia, Gin-ni, Nicole: Virtuous Pagans (“Booty Swing”, Parov Stelar)
    This is one of our staple group numbers. This time the dancers wore the aforementioned gauzy and sequined draperies and carried wooden staves, as befit bucolic virtuous pagans.

    Artemisia: That’s Life
    Resigned to her plight, Artemisia sang this old standard.Before she knew it, she had attracted a native guide willing to leader her through Hell. That would be Scratch (in his signature red zoot suit). The first denizen of the deep she spied was from her home state of Massachusetts!

    Mina: Lizzie Borden (“Baby Did a Bad Bad Thing”, Chris Isaak)
    This is an old, old number of mine — I created it for the second year we did Out for Blood. You can see some elements that I later used in my bathtub act.

    Scratch: Magic
    Scratch had Artemisia tie his thumbs together with Infernal Pipe Cleaners and proceeded to accidentally make the impossible happen. Unfortunately, his magic attracted a more powerful sorceress.

    Devastasia: (“Ding, Dong The Witch is Dead”, Ella Fitzgerald)
    This is an adorably perky number that Devastasia created for our show in Salem. She did most of the lovely costuming herself, from purple fringed gloves to illuminated spider panel skirt.

    Mina, Gin-ni, Valerie: The Leopards of Lust (“Strip Blues”, Johnny Staccato)
    Long time fans will have recognized this as the second half of an act we usually call “Factory Girls”. I had less time to get ready after my first act (because I had to dry off) than I though and was putting on my jewelry in the wings. I failed to properly clasp my necklace and realized as we were doing the bra remove, that it was sliding off. I admit I kinda screwed up the choreography (really noticeable in a number this tight) because I was trying to grab it before it fell off.

    Betty: The Succubus (“Nightmare”, Artie Shaw)
    This was the debut of this number. Betty, bathed in red light, dances and strips behind a door of jagged and broken slats. She’s partially visible, partially in shadow. It’s quite amazing. We’re hoping to get video of this one.

    Artemisia: (“Everything Goes to Hell”, Tom Waits)
    Seduced by the dance The Succubus, Artemisa performs her own striptease. Realizing what she’s done, she flees the stage.


    Artemisia: Creep (PMJ arrangement)
    Remorseful of her previous behavior, Artemisia tells us all how she feels about herself in a song, while showing off her impressive vocal range.

    Gin-ni: (“I Want to Be Evil”, Eartha Kitt)
    Gin-ni tries to convince Artemisia that being bad isn’t so, well, bad.

    Devastasia: The Raven (“A Most Unpleasant Way, Sir”, Gordon Bok/ “Dark Eyes”)
    Poor Artemisia, briefly abandoned by her guide, is set upon by a large and unpleasant bird. This was also an act debut and I just love it. The music selection, concept, and costume design were all Scratch, but Devastasia brought it to life. The first piece of music is a folk story-song about a man cursed with a vulture and Devastasia slowly transforms Artemisia into the bird.

    Here it’s decided it would be better if they just took the Hellevator down to the bottom. This gag had Scratch & Artemisia just standing on stage in a rectangle of light for roughly an eternity while Muzak played. The audience couldn’t stop laughing.

    Betty: Lilith (“You’re the Boss”, Brian Setzer)
    This one of Betty’s first numbers and it’s only gotten better with time. Inspired by vintage performer Lorraine Lane, Betty dances with the Devil. I may be biased, but Betty is the best modern performer I’ve ever seen do this specialty style.

    Mina, Nicole: Mistress and Maid (“Experiment in Terror/Stalkin'”, Impala)
    This is second half of a number created for The Wrathskellar that I used to do with Brigitte. A naughty maid tries on one of my dresses and gets punished for it. I love this act because I get to spank someone with a hairbrush and I get to wear The Diva’s fabulous coat.

    Scratch: Magic (“Sexe”)
    At this point Artemisia is doubting everything Scratch has told her, even that he has magical powers. Using said magic, he conjures gifts and trinkets for her from thin air. She declares she’s not staying in Hell a minute longer. Of course, she’s about to be wrong about that, as demons flood the stage to tempt Artemisia to join them.

    Artemisia, Betty, Devastasia, Mina, Valerie: Finale (“Hell”, Squirrel Nut Zippers)
    This is really and truly our earliest group number. Betty created it for the opening of our very first full-length show. Over the years since then the costumes have improved and the choreography has become more complex. It was a bit of a brain twister for me because I’ve been playing Artemisia’s part for years, but I still had a little muscle memory of the original time I dances as a demon, twelve years ago. Needless to say, it’s not the same choreography at all.

    After we swamped Artemisia and swept her off stage, Scratch gave an Epilogue to the audience. I have no idea what it was as we were getting dressed again for the curtain call.

    The show was a lot of fun and some really good new acts came out of it. It was also kind of frantic, before and during. We had a limited time to rehearse, especially the group numbers, and there weren’t two rehearsals in a row with all the apprentices present. Everything was moving so quickly backstage that I didn’t even film my usual behind the scenes video for my Patrons. Scratch did post this video to Facebook, so you can get a taste.

    Two more shows to write up!

    M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

    Published in: on 20 November 2017 at 11:05 am  Leave a Comment  

    Bad Luck Burlesque 10/13

    Dear Constant Reader,

    Over the summer The Boston BeauTease performed at Deacon Giles Speakeasy Lab in Salem, thanks to a connection made by Brigitte. The show went so well that they asked us back. Friday the 13th seemed like a great date for a show in Salem in October. Since the last show practically sold out, we had TWO seatings of this show and they both completely sold out.

    Scratch, Devastasia, Artemisia, and I went up early so we could visit the Peabody Essex Museum for It’s Alive! Classic Horror and Sci-Fi Art from the Kirk Hammett Collection. It’s highly worth it, even if it means going into Salem in the high season. The collection is excellent, with most of the important films represented, and some I didn’t know (I must see Asta Nielsen’s Hamlet). The exhibit is also very well presented with simple lighting effects used to create mood — I’ve always been fond of gobos — and projected film clips of the most iconic characters on the walls.

    After that delightful interlude, it was time to head to the venue.

    The Speakeasy is a small space and like so many bars, there’s no permanent stage, but the good folks there made us one out of four pallets and a sheet of plywood. Before you get all snobby at me, it was actually better than some of the soggy carpeted stages at rock clubs I’ve played. And Brigitte’s taps sounded great. We had a huge dressing room space back in the distillery proper and everyone did their best to make sure we had a great experience. And we did.

    The show went something like this:

    Betty Blaize, Artemisia Vulgaris: That’s Life (Frank Sinatra arrangement)
    Betty decided to embody the “Bad Luck” aspect of our show and came out on a crutch with a sling and neck brace, as Artemisia sang. As she stripped, she also stripped away her injuries her her trademark goofy style.

    Brigitte Bisoux: In the Mood (Glenn Miller)
    Disproving the superstition that it’s bad luck to open an umbrella indoors, Brigitte tapped her heart out. Here’s a little taste from her rehearsal.

    Mina Murray: Moon Over Bourbon Street (Sting)
    This is a brand new act from a suggestion by Scratch. I was delighted to have permission to use a song from outside of our usual aesthetic and also to wear one of my Catherine D’Lish robes.

    Artemisia Vulagaris: Creep (PMJ arrangement)
    Artemisia showcased her lovely voice with this not too creepy song.

    Devastasia: Ding Dong the Witch is Dead (Ella Fitzgerald)
    We couldn’t come to Salem in October without presenting a witch number. Devastasia was simply adorable.

    Artemisia Vulagaris: The Man I Love (Julie London)
    You may have seen Devora Darling perform this sinister love story. With her permission, Artemisia created her own version of the act.

    Scratch: The Spike
    I can’t watch Scratch perform this trick, which involves a large metal spike, a blindfold, and his hand.

    Brigitte Bisoux: Alcohol (The Kinks)
    This was created for The Wrathskellar, but slightly modified as it was being performed by Brigitte and not her character, The Broad. A little more humor, a little less darkness. And she swigged from a Deacon Giles bottle, of course

    Artemisia Vulgaris, Devastasia, Mina Murray: Poison (Post Modern Jukebox)
    This was originally created for Cover Girls but only Devastasia is left from the original casting. Three murderesses think they are cleverly offing the competition, but are they…?

    I made a little backstage video between shows with an appearance from The BeauTease, but you have to be one of my Patrons to see it.

    After the shows we were treated to creative (and strong!) cocktails by the bar staff. Mine was a Far Side of the Tracks, a mix of their spiced rum and Far from the Tree cider with egg white, cream and nutmeg, pictured at right. So delicious! Brigitte’s coffee rum-based cocktail had smoke in it! I also tried something with absinthe in it and the most bizarre cider I’ve ever tasted.

    We’ll be back at Deacon Giles on December 16th with Brrrlesque, a winter holiday treat. If you can’t wait that long, you can catch us this Saturday at The Thalia in Panties Inferno!

    M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

    Published in: on 23 October 2017 at 5:13 pm  Comments (2)  
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    Cover Girls 9/30/17

    Dear Constant Reader,

    I was excited for this show, which was an idea Scratch had a long time ago — we would all perform to covers of songs, mostly current pop songs covered in a vintage-ish style. Then I discovered I had been accepted to ABurlyQ! for the same weekend as the shows, which were in Salem and New Hampshire. I was delighted when we decided to do the show on our home turf too.

    I revived a very old number and created a brand-new one to a song I’ve been longing to use for a while now. I wrote about modifying a costume piece for the first one recently (and a little follow up report if you are a Patron). Neither one was particularly simple to create or rehearse and I confess to being worried abut the results for a while.

    Things got a little exciting when Scratch got a message from our special guest, Carla Corazón, on the morning of the show — she was sick and had lost her voice. Since she was supposed to be singing, this was pretty bad. I’ll let you know how we handled things further down. Also, something went very wrong with transportation for Valerie, one of our new apprentices and a stage kitten for this show, and she didn’t arrive until halfway through the show. Again, it was handled by cast and crew gracefully.

    And here’s the show…

    Artemisia Vulgaris, Devastasia, Gin-ni Gelato: Poison (Bell Biv DeVoe covered by Post Modern Jukebox)
    Three murderesses each think they’ll be the last one standing as they plot to take out the competition. Choreographed by Betty Blaize and originally performed at Cover Girls on the road. Only Devastasia was original to that version of the number and I’ll be taking Gin-ni’s place when we perform it at Bad Luck Burlesque in Salem.

    Scratch: Magic (to Pastime Rag by Artie Matthews covered by Richard Dowling)
    Here we ran into a small problem, because the costumes needed to be cleared from the stage *and* the table with the poisoned glasses needed to be struck *and* Scratch had a bit of schtick where he needed to be introduced by Nicole, who was also the sole available apprentice/stage kitten (Valerie was having the above-mentioned transportation issues and Gin-ni needed to get dressed before she could help). Somehow she managed to get most of it done.

    It’s a card trick he does silently, because his mouth is taped shut — which is why he needed Nicole’s introduction.

    Mina Murray: Peter Gunn (Henry Mancini Orchestra covered by Art of Noise)
    My very first striptease was to the Peter Gunn Theme, although I used the Blues Brothers’ version back then. I still love the music and the costume. It’s evolved a bit in over a decade, but it’s not my typical languid moves and sparkly costume. This is where the previously mentioned zippered trousers come in.

    Scratch: Makin’ Whoopee (Eddie Cantor covered by Tony Bennett)
    Originally Carla was supposed to be singing “Fever” here. Since she was too sick to perform ( no fever jokes please), Scratch decided he would fill in with something from his repertoire. He sings so infrequently that most people don’t realize that it’s one of his many talents. He did pretty well until someone from the audience yelled “take it off!”.

    Devastasia: Love Potion No. 9 (The Clovers covered by Herb Albert & The Tijuana Brass Band)
    A rather classic striptease with a boa. Devastasia used her winning smile to great effect as she teased the audience with her love potion.

    Betty Blaize: 1812 Overdrive (Tchaikovsky covered by The Brian Setzer Orchestra)
    Betty created this act for The Big Time and built a stack of dice she can sit and stand on. It’s pretty impressive. However, it’s all stage hands on deck to move it and we were still down a kitten at this point. Artemisia lent a hand and everything went smoothly. Also, Betty’s costume is pretty impressive and has gotten more so since she first created the concept.


    Artemisia Vulgaris: All About That Bass (Meghan Trainor covered by PMJ)
    This was the other song Carla was supposed to sing. Fortunately, Artemisia knew it and jumped in to fill the spot. She gets big points for going above & beyond this show.

    Betty Blaize: Sweet Child O’ Mine (Guns ‘n’ Roses covered by Miche Braden with PMJ)
    Betty did a stripped-down and dirty tease that was perfect for the down & dirty sound of this song.

    Mina Murray: Bohemian Rhapsody in Blue (George Gershwin & Queen arranged by Scott Bradlee)
    As soon as I heard this song, I wanted to perform to it. It’s an incredibly clever piece of music, blending two wonderful and disparate songs. And the only way I could get close to using Queen on stage. I tried is as a straight-ahead striptease, but realized it needed the drama of fans.

    Scratch: Magic (to A Little Help From My Friends by The Beatles covered by Count Basie)
    One of the best things I learned during the work on this show was that Count Basie had *two* albums of Beatles covers. They’re amazing; you should listen to them. Scratch did a very classic-style magic trick with, appropriately for a burlesque troupe, feathers.

    Betty Blaize, Artemisia Vulgaris, Devastasia: Temptation (Tom Waits covered by Diana Krall)
    Carla was also supposed to be singing this one. Fortunately we have a terrific recording of Billie Von Bonbon (long-time fans will remember her from V for Vixen and French Kiss, among other shows) singing this. The three ladies tempted the audience with various vices.

    No rest for us, we’ve got more shows coming up soon. Next, Bad Luck Burlesque on Friday the 13 followed by Panties Inferno right before Halloween!

    M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

    Published in: on 3 October 2017 at 5:16 pm  Leave a Comment  

    A New Teaser

    Dear Constant Reader,

    I’m so excited to announce the The Boston BeauTease have a new troupe member!

    Meet the devastating Devastasia!

    Devastasia started as a student at B.A.B.E.. She completed three of our advanced act creation courses and performed in student showcases and The Newcomers Showcase at The Expo. She also volunteered her impressive artistic skills during The Wrathskellar in 2015.

    In 2016 she was cast as a maid (like a stage kitten, only creepier and with more responsibilities) in Wrathskellar Tales and she was a major part of making our set as weird and fabulous as it was.

    Here’s some of her fine work!

    Summoning Circle

    Wall in the Contessa’s Seraglio

    Left Luggage Room Sign

    The Lost Girl’s Doll House

    At the end of last year, she auditioned for and was invited to join our first crop of apprentices, dubbed The Irregulars, and appeared in Twenty Seven-Tease, The Great Burlesque Exposition, and The Big Time. She proved to be invaluable as an artist, a costumer, and a performer. We all had such a great time working together that we mutually decided to extend her time as an apprentice into the next term.

    Since then she appeared at the Mini BurlExpo, in a group number with The BeauTease at The Pennsylvania Burlesque Festival, and in Cover Girls on tour. In light of her hard-work, dedication, and skill, and that we like hanging out with her an awful lot, it only seemed natural to invite her to join the troupe.

    We’re so delighted to have such a multi-talented performer and all-around lovely person join our ranks!

    See her on stage in Cover Girls in Cambridge on Saturday, September 30th and Bad Luck Burlesque on Friday, October 13th in Salem.

    M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

    Published in: on 14 September 2017 at 12:55 pm  Leave a Comment  

    Mini BurlExpo

    Dear Constant Reader,

    I’m so sorry for the recent silence. I have a lot of catching up to do! It’s been crazy busy for me recently and this was part of it.

    Mini Expo PostcardThe last Saturday in July was the first ever Mini BurlExpo. The what? Every year Scratch hosts The Great Burlesque Exposition, a massive three-day burlesque event, which for various reasons beyond his control, has been held in February for the past several years. And invariably there has been a snowstorm that very weekend, causing chaos and disruption. He thought it would be fun to have a small, low-key version of the Expo in the summer.

    Friday night there was a performer cookout, sponsored by Viva Vermont Burlesque, held in the backyard at The Manor. We cooked hot dogs and s’mores over the fire, drank local beer, and generally had a lovely time.

    Next morning it was off to The Thalia for a day of classes. The regular Expo has 4 tracks of classes over 3 days, so a mere 5 classes (plus one on Sunday) was a bit more manageable. The offerings included marketing, ballet for burlesque, chair & floor work, and twerking.

    In the evening there were two shows, as compared to The Expo’s four over three days. The first, The Mini Event, was a take off on The Main Event, the Expo’s competition. Instead of competing for serious titles like “Most Classic”, the performers were in the running for audience-voted awards like “Damn! That Was Awesome!” and ridiculously random trophies.

    The show opened with an adorable group number from The Expositionettes, created by Betty Blaize and featuring her, Artemisia Vulgaris, Brigitte Bisoux, Devastacia, and Kitty Levesque. I’d like to point out that Brigitte was filling in for a performer struck ill and she only had one rehearsal. She’s just that good.

    We had a whole host of performers, from all over the country, showing off the beautiful and the bizarre. There were veterans and neophytes and a whole range of performances styles, all creative and entertaining.

    While the very official ballot-counters were tabulating the results (that would have been me and Betty), the audience was entertained by Diamond DeVille (Most Beautiful 2017), and Egypt Blaque Knyle (Best Solo 2016 and a huge number of other awards). I’m glad we counted efficiently and I was able to see most of Egypt’s remarkable performance.

    The well-deserving winners were Bea Trouble who received “Greatest Googly-Moogly” for her cow-themed striptease (it was fabulously absurd and I’m not giving away the punchline), Mr. and Mrs. Fucksmart who were awarded “Most Pantsfeelings” for their sexy duet to “Tainted Love”, and Tapitha Kix was honored with “Damn! That Was Awesome” for her tap pointe striptease (yes, seriously, she can tap dance en pointe). Everyone put on a great show!

    Then it was time for the second show, Late Night Lust, a passel of more risque acts. I was delighted to have the opportunity to perform my bathtub act with the lovely Artemisia Vulgaris as my lady’s maid. I really love this act, but it’s difficult to find a venue for it — it’s long (almost 8 minutes), it has a fussy set up, it requires a second performer to be my maid (it’s too complex a job to just ask a stage kitten to help) and requires a stage on to which the tub can be rolled (it’s really heavy once it’s filled with water, so carrying it up steps is right out). I feel so Lili St. Cyr-ish when I get to bathe. Maybe this time I’ll finally get some decent video — it’s been like a curse.

    The next morning those that were up to it returned to the theatre for a little brunch and another class from Egypt (fantastic, by the way) and our little Expo interlude was over. It was a fun event for the middle of the summer. Who knows? It may become tradition! And now it’s time to start gearing up for The Great Burlesque Expo in January. Hope for no snow storms!

    M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

    Published in: on 23 August 2017 at 3:25 pm  Leave a Comment  
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