Cover Girls 9/30/17

Dear Constant Reader,

I was excited for this show, which was an idea Scratch had a long time ago — we would all perform to covers of songs, mostly current pop songs covered in a vintage-ish style. Then I discovered I had been accepted to ABurlyQ! for the same weekend as the shows, which were in Salem and New Hampshire. I was delighted when we decided to do the show on our home turf too.

I revived a very old number and created a brand-new one to a song I’ve been longing to use for a while now. I wrote about modifying a costume piece for the first one recently (and a little follow up report if you are a Patron). Neither one was particularly simple to create or rehearse and I confess to being worried abut the results for a while.

Things got a little exciting when Scratch got a message from our special guest, Carla Corazón, on the morning of the show — she was sick and had lost her voice. Since she was supposed to be singing, this was pretty bad. I’ll let you know how we handled things further down. Also, something went very wrong with transportation for Valerie, one of our new apprentices and a stage kitten for this show, and she didn’t arrive until halfway through the show. Again, it was handled by cast and crew gracefully.

And here’s the show…

Artemisia Vulgaris, Devastasia, Gin-ni Gelato: Poison (Bell Biv DeVoe covered by Post Modern Jukebox)
Three murderesses each think they’ll be the last one standing as they plot to take out the competition. Choreographed by Betty Blaize and originally performed at Cover Girls on the road. Only Devastasia was original to that version of the number and I’ll be taking Gin-ni’s place when we perform it at Bad Luck Burlesque in Salem.

Scratch: Magic (to Pastime Rag by Artie Matthews covered by Richard Dowling)
Here we ran into a small problem, because the costumes needed to be cleared from the stage *and* the table with the poisoned glasses needed to be struck *and* Scratch had a bit of schtick where he needed to be introduced by Nicole, who was also the sole available apprentice/stage kitten (Valerie was having the above-mentioned transportation issues and Gin-ni needed to get dressed before she could help). Somehow she managed to get most of it done.

It’s a card trick he does silently, because his mouth is taped shut — which is why he needed Nicole’s introduction.

Mina Murray: Peter Gunn (Henry Mancini Orchestra covered by Art of Noise)
My very first striptease was to the Peter Gunn Theme, although I used the Blues Brothers’ version back then. I still love the music and the costume. It’s evolved a bit in over a decade, but it’s not my typical languid moves and sparkly costume. This is where the previously mentioned zippered trousers come in.

Scratch: Makin’ Whoopee (Eddie Cantor covered by Tony Bennett)
Originally Carla was supposed to be singing “Fever” here. Since she was too sick to perform ( no fever jokes please), Scratch decided he would fill in with something from his repertoire. He sings so infrequently that most people don’t realize that it’s one of his many talents. He did pretty well until someone from the audience yelled “take it off!”.

Devastasia: Love Potion No. 9 (The Clovers covered by Herb Albert & The Tijuana Brass Band)
A rather classic striptease with a boa. Devastasia used her winning smile to great effect as she teased the audience with her love potion.

Betty Blaize: 1812 Overdrive (Tchaikovsky covered by The Brian Setzer Orchestra)
Betty created this act for The Big Time and built a stack of dice she can sit and stand on. It’s pretty impressive. However, it’s all stage hands on deck to move it and we were still down a kitten at this point. Artemisia lent a hand and everything went smoothly. Also, Betty’s costume is pretty impressive and has gotten more so since she first created the concept.

Intermission

Artemisia Vulgaris: All About That Bass (Meghan Trainor covered by PMJ)
This was the other song Carla was supposed to sing. Fortunately, Artemisia knew it and jumped in to fill the spot. She gets big points for going above & beyond this show.

Betty Blaize: Sweet Child O’ Mine (Guns ‘n’ Roses covered by Miche Braden with PMJ)
Betty did a stripped-down and dirty tease that was perfect for the down & dirty sound of this song.

Mina Murray: Bohemian Rhapsody in Blue (George Gershwin & Queen arranged by Scott Bradlee)
As soon as I heard this song, I wanted to perform to it. It’s an incredibly clever piece of music, blending two wonderful and disparate songs. And the only way I could get close to using Queen on stage. I tried is as a straight-ahead striptease, but realized it needed the drama of fans.

Scratch: Magic (to A Little Help From My Friends by The Beatles covered by Count Basie)
One of the best things I learned during the work on this show was that Count Basie had *two* albums of Beatles covers. They’re amazing; you should listen to them. Scratch did a very classic-style magic trick with, appropriately for a burlesque troupe, feathers.

Betty Blaize, Artemisia Vulgaris, Devastasia: Temptation (Tom Waits covered by Diana Krall)
Carla was also supposed to be singing this one. Fortunately we have a terrific recording of Billie Von Bonbon (long-time fans will remember her from V for Vixen and French Kiss, among other shows) singing this. The three ladies tempted the audience with various vices.

No rest for us, we’ve got more shows coming up soon. Next, Bad Luck Burlesque on Friday the 13 followed by Panties Inferno right before Halloween!

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Advertisements
Published in: on 3 October 2017 at 5:16 pm  Leave a Comment  
Tags:

Show on the Road 7/23/17

Dear Constant Reader,

It’s been a while since we went on a substantial road trip. We were hired to entertain at a Vegas-themed 18th birthday/graduation party in Greenville Junction, Maine, which is about 5 hours from Boston. The birthday girl originally wanted a trip to Las Vegas, but instead she got a party with gambling and showgirls.

Scratch, Betty, Artemisia, and I piled into the BeauTeaseMobile for the long drive. We broke the trip in Portland for a little fun. First stop, The Holy Donut. Their famous cheese and bacon-filled donut was as amazing as promised. The chocolate sea salt was also outstanding. Highly recommended, if you like donuts.

Then on to the Cryptozoology Museum to gaze upon the weird and the mysterious. It’s a fun collection of really eclectic stuff, like a Feejee mermaid, big foot track casts, and Wessie’s shed skin. The curator in me desperately wants to rearrange things and write wall text.

As luck would have it, the museum shares a building with Big J’s Chicken Shack, so that was the obvious choice for lunch. I’d been craving fried chicken recently (the problem with reading a murder mystery series set in the south), so I was not displeased with this turn of events.

I was, however, extremely displeased to drop my iPhone in the parking lot, scattering the screen into a thousand tiny fragments. This is why I was largely absent from Instagram for this trip and the pictures I did take are of dubious quality.

We all piled back in the car for the long drive up to our final destination. Once you’re off the highway (and we were on local roads for quite a while), it’s really beautiful. We passed through a bunch of charming towns, like Sangervile (Town of Two Knights) and Abbott (Maine’s #1 Town). Closing in on our destination, we weren’t sure we were ever going to make it, as the GPS kept taking us down deserted roads that dead ended at scary-looking industrial buildings. Probably not a wise idea to have the GPS voice set to “Dr. Nightmare”.

But we did finally make it to the venue, Woody’s Bar & Grill, without incident. The whole place was done up with Vegas-themed decorations and various table games. There was a small stage and a large dance floor, which is where we did most of our show — Betty and her giant dice were up on the stage. Appropriate to the gambling theme, but just part of the everyday decor, there are dollar bills stuck all over the ceiling, some very high up. Apparently there’s a way to toss them up there with a quarter and a tack and it seems to be a popular past time. The staff was terrific and very accommodating. I made a short video backstage before the show, which is available to my Patrons.

Keeping with the Vegas theme, both Betty and I had new showgirl headdresses for a couple numbers, as created by Scratch (yes, he’s multi-talented). This was Artemisia’s first show with us and not only did she sing, she also performed her first striptease! We were joined by local(ish) flow performer Lexi Go-go, who dazzled us with her hooping. Her first act was done with changeable LED hoops and the second with SIX hoops. There was also magic from Scratch as well as striptease from Betty and me. The audience was appreciative, but mostly importantly, the birthday girl was very happy with the show.

Afterwards, after dragging Scratch out of game of Texas Hold ‘Em that he was trying unsuccessfully to lose, we retired to the luxurious accommodations provided for us. I’m not being facetious — it was a huge suite at a lakeside lodging. We each had our own room — usually on these road trips, we get very cozy and friendly in a single hotel room. There was even a jacuzzi tube in the (enormous) bathroom and a stack of washcloths with a little note “for makeup removal”.

This was the view the next morning:

That’s Moosehead Lake. Pretty gorgeous, no?

It was a long, long drive back to Boston. Mostly uneventful, except for the pouring rain for most it and the GPS taking us down a series of progressively less road-like roads. Finally faced with a gravel track heading into the woods, we decided not to trust a GPS in Stephen King country and backtracked to civilization. We broke the trip in Portland for a fabulous brunch and continued on it the rain back to Boston.

This weekend is the Mini Expo and then we are back on the road!

M2These writings and other creative projects are supported by my 7 Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 26 July 2017 at 3:40 pm  Leave a Comment  
Tags: ,

Upcoming Events

Dear Constant Reader,

Last night one of my students asked if I had any upcoming shows and should she check my blog for the schedule. I keep a schedule on my website, but it’s certainly not a bad thing to also post it here. This is going to be a long one…

This Sunday, July 23, I’m heading to Maine with Betty, Scratch, and one of our new interns, Artemisia Vulgaris, for a private show. It’s a Vegas-themed birthday party and I’m looking forward to wearing my new showgirl headdress.

The following Saturday, July 29th, I’m teaching and performing at the Mini Expo. You can catch me and my bathtub at the Late Night Lust show at 10:30.

The very next weekend, I’m heading to Jim Thorpe, PA for the Pennsylvania Burlesque Festival. I’ll be performing at the Friday Night Delight, then teaching two workshops on Saturday as part of the Burlesque Boot Camp. If that weren’t enough, I’ll be performing again Saturday night in The Big Reveal competition, as a soloist and as part of The Boston BeauTease. Wish me luck!

Next up: I get a blessed weekend off.

Then I hop on a plane to New Mexico for ABurlyQ! Burlesque and Sideshow Spectacular, August 17-19. I’ll be teaching Friday morning and then performing Friday night in The Wild Ones showcase. I’m there for the whole weekend (although I’m sad to miss the Sunday field trip because Southwest doesn’t offer flights after 5pm. What?).

While I’m off in the Land of Enchantment, The Boston BeauTease will be bringing you Cover Girls, an evening of familiar music with a twist. On Friday night they’re at the Deacon Giles Speakeasy Lab in Salem, MA and on Saturday at the Strand Ballroom in Dover, NH.

I’ll join the cast of Cover Girls on August 25-26 at The Thalia.

Seeing it written out like this is exhausting, but it’s going to be so much fun!

M2These writings and other creative projects are supported by my 7 Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 20 July 2017 at 10:47 am  Leave a Comment  
Tags: ,

The Big Time

Dear Constant Reader,

This past weekend we finally opened our show The Big Time. It feels like we had been working on it forever. Well, it has been several months and we were often working outside of our normal rehearsal times.

The theme of the show was big props, and everyone built their own with help from Scratch. he had been pretty adamant that he would help and teach, but not actually do the construction. After all, there were 7 props being built and he couldn’t do them all. We used power tools, we used hand tools, we cut, we drilled, we sanded, we painted. We worked with wood and with metal, with plastic and papier mache, even electronics.

Here’s the results, in brief. I wish I had photos, but we were a little too busy to arrange for that.

Act I

Betty Blaize and Ruby Foxx: Spiderweb
This was one of the two existing acts which used one of three existing props. Betty is an old hand at getting trapped in the web, but Ruby was new to the spider role and she did a great job.

Pearl Buttons: Steam Heat
There’s no simple word to describe Pearl’s prop. It was two sets of stairs with a platform in between them, kind of like a bridge. She merrily danced up and down the steps and sprawled fetchingly on the platform.

Ruby Foxx: Orange Colored Sky
Besides being a stripteaser, Ruby is also a singer and she belted out this entertaining piece.

Jeannie Martini
: Piggy Bank
Jennie was dressed in layers of money, which she stripped off and dropped into her adorable over-sized piggy bank. Piggy is cleverly made from two half whiskey barrels and many cute decorations.

Scratch and Devastacia: Wall of Death
You might have seen Scratch doing this whip act before, but never with such a scary looking Wall of Death. Credit to Devastacia’s new-found skill with a nail gun.

Cara Siobhan: Waterfall
Cara got off easy in the prop construction department as we already had a free-standing doorframe that she modified to be her waterfall, but she challenged herself nonetheless. A novice seamstress, she sewed a hooded cloak with a lengthy train that flowed like water.

Mina Murray: Heavenly Body
I got to ride a shooting star! In reality, it’s a steel frame with a very solid wooden top, draped with black velvet and a shooting star mounted to the downstage side. It’s festooned with color-changing LED lights. I even have glowing reins for riding it. I admit that Scratch did much of the work, although I did cut the pieces for the frame and attached them together. With much cursing.

I’m really, really happy with how it came out. And I just love my costume. It’s the corset I made for Costume-Con, plus matching bra, panties, and garter belt and a poofy swirly skirt (6 layers!). Still needs some more rhinestones…

ACT II

Betty Blaize: Getting Lucky
This is Betty’s new number and I think she did the most construction work by herself of any of us. She built a towering stack of dice that she can climb, making her the tallest thing around, as she prefers. She also gets credit because her prop breaks down rather compactly.

Ruby Foxx: Hard-Boiled
Ruby, as a femme fatale, stepped out of a pulp detective novel. Literally. Her prop was a huge book with a cover that swung open.

Scratch: Martini Time
Here Scratch magically made vermouth bottles multiply until his table was covered with this. Not big in size, but big in numbers.

Pearl Buttons: Picture of a Ballerina
Like a Degas painting come to life, Pearl started behind a picture frame (seen here with a scrim in place) and danced her way into the real world.

Devastacia: Candelabra
Devastacia is so hot, she makes candles light up without even touching them (thanks to a little magic from Hunter). She’s a terrific artist and you would never realize her candelabra started its life as PVC pipe and newspaper.

Cara Siobhan: Why Don’t You Do Right?
Cara is also a talented singer and she crooned this classic tune.

Mina Murray: Midnight Bath
My beautiful, beautiful bath tub. It should get a post all its own, because it’s been a saga. I’ve wanted a bath tub since I started doing burlesque and I am so, so happy with everything about this act.

Scratch took this picture in rehearsal and I just love it:

We had our curtain call to a piece of music called “Big Noise from Winnetka”, kind of an inside joke for us.

Sadly, our usual curse was upon us and, despite trying to get video, technical difficulties kept that from happening. Someday…

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 23 May 2017 at 4:05 pm  Leave a Comment  
Tags: ,

The Big Time Approaches

Dear Constant Reader,

Our new show, The Big Time, opens on Friday! We’re all very busy putting the finishing touches on our costumes and props for dress rehearsal.

Here’s an early look at my not-yet-decorated prop for my new act.

I also made a new costume. My Patrons got a backstage look, but the rest of you will just have to wait until showtime. Hint: part of it was made out of these fabrics:

I’m really excited to unveil this new act! We’re calling it “Heavenly Body” — you’ll see why this weekend

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 17 May 2017 at 3:56 pm  Leave a Comment  
Tags: , ,

Big Time All the Time

Dear Constant Reader,

Just to give you a quick rundown of what’s going on right now.

The Boston BeauTease welcomed our newest batch of interns and other volunteers last night, which also happened to be Betty’s birthday. We don’t usual end rehearsals with a large spread of treats, but it was certainly an auspicious day to start working with us.

They’ll be helping out on our upcoming show The Big Time in two weeks. You’ll be able to see our current interns, Cara, Devastacia, Jeannie Martini, and Ruby Foxx, on stage showing off what they’ve learned, alongside The BeauTease.

Everyone will be performing brand-new, never-before-seen acts, expect Betty and I who will also be performing a second, favorite number from our respective repertoires. I’ll give you a hint: one involves a spiderweb and the other a bathtub.

The show is called The Big Time because we’re all using big props, most of which have been built expressly for this show, and have mostly been built by the performers themselves, with a *lot* of help and guidance from Scratch. We’ve been working in wood and metal and plastic and fabric and papier mache. We’ve been using power tools and paintbrushes and glue and electronics. Everyone has been working very hard and pushing themselves in many ways not just in building the props, but in all aspects of act creation.

I can’t wait for you to see what we’ve accomplished! Tickets are pretty cheap right now, but they’re going to go up at the door, so do yourself (and us) a favor and get yours now.

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 8 May 2017 at 3:33 pm  Leave a Comment  
Tags: ,

A Visit to Santa Fe

Dear Constant Reader,

After my performance in Albuquerque Friday night, I was off to Santa Fe the next day. Well, originally I was going to spend all Saturday in Albuquerque and take the train to Santa Fe on Sunday morning, but there was a burlesque show Saturday night and it seemed dumb to miss the opportunity. And then Dr. Jen offered to come get me and put me up, so it was a no-brainer.

The landscape is just breathtaking. That’s the word I just kept using because my vocabulary was inadequate. Mountains, mesas, exactly the colors you think of as “southwestern”. This photo does not do it justice.

We stopped at The Teahouse where I had a lovely cranberry almond scone. You know I take my scones very seriously and this was pretty fabulous. Serving it with lemon curd was a nice touch.

The burlesque show, put on by Zircus Erotique was at The Palace, which I was told was once a brothel. It certainly has the right decor — red flocked wallpaper, decorative ceilings, and fancy chandeliers. The performance was at one end of the dining room — no stage, which is always a challenge. We were sitting in the bar, watching the show through open windows in the partition between rooms. Not terribly ideal sight lines, especially since the place was packed.

After doors opened, go-go dancers began circulating through the venue. Until the show started and then again at intermission, they slithered and shimmied through both rooms, getting up close with the patrons, but never being intrusive. This was a new approach to me, which worked well because of the lack of a stage and the aforementioned sight line issues.

The show itself was many of the same performers I had worked with the night before, but not necessarily the same acts. I really can’t give you a blow-by-blow this time because I don’t have a set list to jog my memory.

I was impressed with the Mosaic Dance Company, a trio of belly dancers with some really tight choreography.

I was eagerly awaiting Sophia Sunday’s second number because I assumed it would be the razor blades I had missed Friday night. However, it was something entirely different, but still weird and wonderful. She started on a chaise, fairly classic, but after stripping a bit, she set a bed of nails on it. She proceeded to demonstrate that she’s not called “The Pain Proof Pinup” for nothing. I loved the stocking removes. The act was kind like this.

Al Monds danced with a flowing white cape she used to great effect. Lola was trying to remember the dance pioneer she resembled. “Loie Fuller”, I called out.

Lola Van Ella once again impressed me with her stage presence and stripping, this time to one of Scratch’s favorite Doors songs. She works the audience so well. I learned a lot from watching her.

The stand out of the evening for me was Holly Rebelle. So far this weekend I had seen her be classic and be vaudevillian, but for her last act, she was just fierce AF with a passionate performance to “Sabotage”. She told me before the show she was nervous about it, but she dominated that room.

After the show Dr. Jen’s assistant, Gia, wanted to meet some of the performers and do some networking. I did feel sort of weird making the introductions when I’d only met some of these people the night before.

The next day Dr. Jen, Gia, and I went to Ten Thousand Waves. It’s a beautiful, tranquil Japanese bath house and spa. It’s one of those places that looks like it could have opened yesterday, because everything is so beautifully maintained, or always been there, since the architecture is so harmonious and fits perfectly in its setting. We got a private tub and it was just the thing for a weary traveler to stretch and soak. I will definitely be back.

I insisted we go to the Georgia O’Keeffe Museum, since how could I be in New Mexico and not see some of her art. The first thing that surprised me was that you could take pictures of most of the art; only a few items were labeled as off limits. The other surprise was the painting to the right. I immediately recognized New York, just from those few shapes. Like most, I associate O’Keeffe with southwestern landscapes and yonic flowers. This painting changed my perspective on her style. It’s a toss up between this and a more expected calla lily as my favorite work.

On the way to Jen’s log cabin/lab in the mountains, we stopped at the town of Español for dinner at El Paragua for some local cuisine. I couldn’t decide, so I got an (enormous) combination plate (that I barely made a dent in). I got to try carne adovada (pork in a red chile sauce) and posole (hominy and pork stew) and sopapillas (heaven in a basket — pillowy fried dough with honey). I’m a big wimp when it comes to spice, so I was pleasantly surprised that the adovada wasn’t too hot for my palate. The red sauce on the enchilada was another story. Because I had to try green chile eventually, I tried a bite of Jen’s chile relleno and determined that while the heat wouldn’t kill me, I still don’t like green peppers in any form.

And then we continued the long, very scenic drive up into the mountains. I’m positive I’ve never been at an elevation that high before.

As this has gotten quite long, Dear Reader, and I have now left the city in the title, I shall sign off for now and perhaps take up my narrative again tomorrow.

Published in: on 29 March 2017 at 2:56 pm  Leave a Comment  
Tags: , ,

A Night of Classic Burlesque

Dear Constant Reader,

I’d been looking for an excuse to make a trip to the Southwest and when I saw my friend Holly Rebelle looking for out of town performers for her show in Albuquerque, I jumped at the chance. I met Holly at The Great Burlesque Expo something like 9 years ago, at which she and her troupe took home a Howard Award. I know she wasn’t expecting anyone from as far out of town as I am, but it turned out I wasn’t the only one who came from the East Coast!

Dr. Wilson of the Theatre of Miracles in Maine had relocated to Albuquerque and he and his lovely wife graciously offered me a place to stay. They’ve got a gorgeous guest suite and parrots! I couldn’t linger too long, because I was off early to tech for the show.

I had been nervous because Holly specifically requested “An Invitation”, which requires some set pieces that I couldn’t bring with me (I can barely transport Super Screen in my car, let alone by plane). She and David came through for me with the required screen and a backlight.

Launchpad, the venue, is the sort of place I’ve performed at before. It’s made for bands, with a high, carpeted stage, a tiny dressing room and a bar up front. The crew did a great job, bringing in pipe and drape to make the stage more burlesque friendly, and the performers took over the back half of the balcony, so as not to crowd the dressing room for when someone actually needed to dress. Also, a nice (and necessary touch) was a big cooler full of ice and bottled water for the performers. Albuquerque is incredibly dry and also at about 5000 feet above sea level. Both of which were a new experience for this New England gal and I was very careful not to get slammed by either, especially since I was also terribly short on sleep.

I did have time between tech and doors open to go down the block and relax over a light supper at Duel Brewing, which was lovely — four kinds of cheese and an array of sweet and sour accompaniments.

I was on near the end of the line-up, so I got to see much of the show, albeit from way in the back. Feisty Baudelaire let me have a corner of her merch table to vend my little book. It was a *long* show. Apparently the venue requires a three and a half hour show, but Holly and crew made sure it was entertaining.

Albuquerque poster

The show started with a stand-up comedy set (which I missed completely) and then we got into the burlesque. Hostess Lola Van Ella graced us all the way from St. Louis. She began by singing “Let Me Entertain You”, a promise of what was to come. I don’t think I can give you a blow by blow of the entire show, since I didn’t see all of it and it kind of ran together into a lovely, glittery blur, due to exhaustion and excitement. I’ll do the best I can.

  • Soiree Entertainment opened the show with a group dance with a tiny bit of stripping to “Feelin’ Good” (almost the same version The BeauTease use).
  • Lana Montresse did a classic strip with boa and gown.
  • Mena Domina had a gorgeous act with silk veil fans and a cape that transformed her into a delicate moth.
  • I was delighted when Annie O’Roar used a version of “Istanbul (Not Constantinople)” that I thought no one else knew for her bellydance-inspired striptease. Also, she had a magnificent fabric boa.
  • Holly Rebelle did a sensual strip moving from a mostly black ensemble to white underthings, including a magnificent rhinestoned corset. EDIT: See it here.
  • Godiva Bleu had a truly impressive headdress. From where I was sitting, I didn’t realize the significance of the green decorations on her costume until she lit up. And then she was as high as her headdress.
  • Rebel, all the way from North Carolina, just blew me away with his high-energy moves.
  • Vivian MirAnn was slinky to “Minnie the Moocher” and showered herself and the audience with coins.
  • Sophia Sunday showed off her sideshow roots with something very naughty with balloons.
  • Lola Van Ella sang again, but I can’t remember what.
  • There was a lengthy intermission, but it was filled with live music from Eddie Brewer & The Manic Episodes.

  • Holly Rebelle opened the second act by performing with the band. After snuggling up to the keyboard player and then stripping a bit, she moved to center stage and began tap dancing. And continued stripping. “true vaudeville” said Lola. EDIT: See it here.
  • At this point I went to the dressing room to get ready, so my descriptions are about to get even hazier.

  • Mayo Lua de Frenchie did something funky in a purple pants suit with a chair and rather impressive boots.
  • Mischa Mischief had a gorgeous lilac-themed costume, which I had seen hanging in the dressing room. I’m sorry I missed this one.
  • Miss Conduct was another one I missed. I know she had a fur stole…
  • Feisty Baudelaire was classic with a gown and gloves strip, but she had this rose-trimmed picture hat that made the whole costume special.
  • Joy Coy ushered in spring with an adorable bunny costume and spot-on musicality.
  • Rebel burned up the stage again, in a sparkling, fuzzy, pink suit.
  • Then it was my turn. I was so happy that the stage had steps up front so I could enter the way the act is designed, through the audience. The train on my robe looks so much better slithering up stairs.
  • I’m so sorry I missed Sophia Sunday‘s next act (I was getting dressed again). She did a spin on Scratch’s “Urban Legend” aka swallowing razor blades. While stripping.
  • Vivian MirAnn got up close and very personal with the audience in a stunning blue costume.
  • Lola Van Ella closed out the show with a dead sexy striptease to “St. James Infirmary”.
  • The show was so good, so strong, so many excellent performances. I’m so pleased to have been a part of it!

    Here’s everyone! All photos by KayLynn Aragon Photography

    After the curtain call, my hosts took my weary ass home. At that point, not counting the fitful naps I got on the planes, I’d been up for 22 hours.

    Thank you to everyone who came out and supported the show and especially those of you who stayed for the whole thing! Big thanks to Holly for inviting me out and being so wonderful. And deep gratitude to Mr. Rebelle, the Kitten Squad, and all the tech crew — you made my act look great. Finally, to my fellow performers — it was great meeting all of you and seeing you strut your stuff. Thanks for being so welcoming to a traveling showgirl!

    Published in: on 27 March 2017 at 12:12 pm  Leave a Comment  
    Tags: , ,

    Return to The Wrathskellar

    Dear Constant Reader,

    The Wrathskellar reopens for business tonight and every night through Halloween!

    We’ve added a few more tantalizing artifacts and ephemera to the show and another act entirely. And delightful cocktails to supplement the treats in the bar.
    (click for a more readable version)

    We’ve been getting so great reviews, like:

    “This was amazing. It was beautiful and haunting and intriguing. I, seriously, lost track of time and wish I had more time in the show. Go early if you can is my advice. There’s so much to see.”

    “…this is the best burlesque I have seen in Boston. The performers are engaged, clearly having fun, professional, and entertaining.”

    “Just went and saw this show today! It was awesome. Get tickets and go if you can. Share around otherwise, let’s get word out. Burlesque haunted experiences for all!”

    “I was expecting a “Sleep No More”-like immersive theater experience, and it absolutely delivered. However, I was not expecting it to be so quietly disturbing.”

    We’ve added one more show on November 5th (remember, remember…). It will be the last chance to see Wrathskellar Tales in this setting. Ever. Really.

    If you’re intrigued by what went into creating this unique and complex show (and want to know all the secrets), please join us for Inside “Wrathskellar Tales” on November 4th. Guests will get a guided tour of the installation and participate in a Q&A with the cast. And then you’ll have one last chance to see the show the next night.

    Last night we filmed the acts for posterity. In November the performance spaces cease to exist and will never return, and many of the acts cannot be performed outside of this setting.

    Here’s The Diva in her Boudior preparing to bathe as her Maid looks on anxiously.
    (photo by Susanna)

    M2

    Published in: on 27 October 2016 at 11:41 am  Leave a Comment  
    Tags: ,

    Unexpected Events

    Dear Constant Reader,

    I didn’t expect to be writing to you for I didn’t think there would be anything noteworthy. I hoped the show last night would be uneventful. Today I expected to be recovering from weeks of hard work by sleeping in, relaxing, and perhaps taking care of some of the little things that have been falling by the wayside during the Wrathskellar build.

    Last night things were completely uneventful, for me anyway, until half an hour before the end of the show. I went into my dressing room to discover that Pearl was helping one of the maids (aka stage hands) pick out pasties. This is how I discovered that Brigitte had had a family emergency* and left early in the show. Other cast members had been filing in during her numbers as best they could all night. I had been so involved in my own thing that I never realized. Honestly, I’m glad I didn’t know until so late in the show, which reduced the freaking out, but gave me enough time to prepare myself for the finale being short a person.

    That over with, I was looking forward to greeting some folks I knew in the bar and then going home for some cat snuggling and greatly-needed sleep.

    That’s when Scratch told me the streets were flooded. We were in a basement. There was water pouring into the kitchen area. Like, broken pipe levels of water.

    After cutting the bar entertainments short and sending the patrons on their way, the cast and crew mobilized. We frantically began moving everything out of the kitchen area, but the water kept coming. The water filled the bar and started running down the left-hand hallway into the performance space. We started clearing set dressing as fast as possible from the path of the water. The water kept coming. Running into The Sewing Room, then The Lost Girl’s Garret, into the Left Luggage Office. It started pouring into the back dressing room, and into The Contessa’s Seraglio.

    Contrast this picture with the one from opening night.

    Thanks to herculean effort from everyone, cast, crew, staff, and a couple of volunteers, we got everything, including the draperies that create the spaces, up off the floor. We had a ton of electronics that needed to be moved to safety. I don’t know how, but even the piano got moved out of the flood area and up onto blocks.

    After everything was safe, the water removal kicked into high gear. Most of the cast was released at this point. Heroic effort was made by those who remained: Scratch, Hunter, Mr. Cleave (one of the performers in the bar), Marek (a frequent volunteer) & his dad, Matt (our occasional trumpet player) who had just come to enjoy the show, and Betty. I am so grateful to all of them for their hard work.

    We had an industrial shop-vac and the water was deep enough in some places that it could be bailed with improvised buckets. Scratch uncovered what we hoped was a drain, but turned out to be an old sump pit. Marek drove Betty to her house to get her sump pump (I miss the days when Home Depot was open 24 hours…), which Hunter got up and running.

    Around 1:30am when Scratch, Hunter, Betty, and I called it quits, the water was noticeably lower.

    I’m told that there’s a plumbing crew in there now, doing arcane flood prevention and water draining things. In a few hours we’ll go over, assess the damage, and hopefully clean up, wash the floors, repaint where necessary, and reset all the spaces.

    You know what they say about the show going on…

    M2* She’s fine. Everybody involved is fine. She’ll be back tonight.

    Published in: on 22 October 2016 at 11:06 am  Leave a Comment  
    Tags: ,